Wall for Amethyst (page 128)

rude!

I award you a symbolic one-dollar!

This IS the revolution of a century! Join us, Swifties — together, wE wIll mAkE hIstoRY!!

*runs to the circus; falls face-flat off of horse*
#1989TaylorsVersion

hOw dArE yoU

G A S P
I refuse to talk to you any longer!!!!

So, how's your day?!

Answer!

i've been meaning to ask you!

oH nO. i lEt thE sEcrEt spIlL!

with lettucehead? too true!

It’s not a stretch to say that Taylor Swift’s Folklore may go down in history as the definitive quarantine album, and not just because of the record’s homespun, folksy presentation. Without the pressure of having to write radio hits or build up her usual prolonged album-release schedule — full of music videos, Easter eggs, and Good Morning America performances — Swift shed the über-pop trappings of her previous album, Lover, for a project that put her once-in-a-generation songwriting talent front and center. Regardless of what you think of the album’s “indie” cred, with contributions from the National’s Aaron Dessner and Bon Iver’s Justin Vernon, Folklore’s 16 tales of lost love, coming-of-age, and redemption provided us with solace and catharsis just when we needed it most. Songs like “August” and “Mirrorball” will persevere long after this pandemic is over — and so, evidently, will Taylor Swift.